It’s subtitled “The Sabbath Poems 1979-1997”. Most Sundays, my poetry is more likely to come from the Psalms, and I liked the idea of reading something contemporary. Even better if it’s focused on the outdoors and the peace and tranquility a quiet walk in the woods might provide.
In his preface, Berry writes
“These poems were written in silence, in solitude, mainly out of doors. A reader will like them best, I think, who reads them in similar circumstances – at least in a quiet room. They would be most favorably heard if read aloud into a kind of quietness that is not afforded by any public place. I hope that some readers will read them as there were written: slowly, and with more patience than effort.”
“…the poems printed here should be thought of as a series, not as a sequence. The poems are about moments when the the heart and mind are open and aware. Such moments, in my experience, are not sequent or consequent in the usual sense. Such a moment is not necessarily the cause or result of another such moment.”
My intent, over these next four Sundays, is to take this book with me to my favorite bench at the park, to read poetry…and then share a little of that experience with you.
For this first Sunday, it seems appropriate to share the poem that Taylor included in her book. It’s the one that drew me to A Timbered Choir in the first place and I think it’s a wonderful place to begin.
What do the tall trees say
To the late havocs in the sky?
The air moves, and they sway.
When the breeze on the hill
Is still, then they stand still.
They have no fear. Their fate
Is faith. Birdsong
Is all they’ve wanted, all along.
~ 1991, VIII (p. 134)